My book “Moen jo Daro: Metropolis of the Indus Civilization (2600-1900) BCE)” is now published as an eBook and is available online at Amazon, Barnes and Noble, iBooks, eSentral, Scribd and ePubDirect. It is an illustrated book with original pictures by Pakistan’s acclaimed photographer Amean J and artwork by Laila Shahzada ,the internationally renowned Pakistani artist. Below is a brief description of the book, enjoy the images and reading on your favorite device.
“Moen jo Daro: Metropolis of the Indus Civilization (2600-1900) BCE)” is a personal view book on the largest and the most elaborate city of the Indus Civilization, located in present day Pakistan. Beginning with the myths and legends surrounding the civilization, Moen jo Daro ends with an appeal for its 3-dimensional digital preservation in the modern age. In between it covers the accidental discovery of the city under the foundations of a Buddhist stupa, the life of its mysterious inhabitants, the unknown ideology they followed as well the strange symbols and script they left behind. The book is not a mere description of the architectural remains and the artifacts discovered in their ruins, it examines the theories of its rise and fall in the larger context of the Indus civilization. I have told the story of Moen jo Daro through conventional sources as well through the legends, folklore, and ancient words retained in the indigenous languages of the Indus region. Some of the interpretation comes from my understanding of the ancient signs and symbols I researched at the Cornell University, New York. Finally, the artwork and original photographs captured exclusively for this book, has infused life in the dead city (Moen jo Daro means the Mound of the Dead).
“Moen jo Daro : Metropolis of the Indus Civilization (2600-1900) BCE)” is meant for general readers and the scholars and students, and is a must read for an international audience. Pakistan is on the center stage of global politics and the world is keen to know it beyond its typical day-to-day reporting.
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